29.8.10
pussy
wish came true
28.8.10
milo é nome de cão
Milo Goes to College is often cited as one of the most significant albums of the southern California hardcore punk movement during the early 1980s. In his book American Hardcore: A Tribal History, author Steven Blush remarked that its "cheeky love songs disguised as [hardcore] blasts became the most aped formula in rock."[1] Ned Raggett of Allmusic gave the album four and a half stars out of five, calling it "an unpretentious, catchy winner. The playing of the core band is even better than before, never mistaking increased skill with needing to show off; the Lombardo/Stevenson rhythm section is in perfect sync, while Navetta provides the corrosive power. Add in Aukerman's in-your-face hilarity and f*ck-off stance, and it's punk rock that wears both its adolescence and brains on its sleeve."[6] Jenny Eliscu of Rolling Stone called the album "all straight-ahead punk -- 15 songs in less than a half hour, each full of metally riffs and lightning-speed plucking by bassist Tony Lombardo, who was always the band's secret weapon. Much like the Who, Descendents often used the bass for melodies and the guitar to bash out a steady rhythm. 'Parents' shows a British punk influence, with Auckerman spitting the complaint: 'They don't even know I'm a boy/They treat me like a toy, but little do they know that one day I'll explode.'"[7]
Milo Goes to College has been included in several lists of noteworthy punk albums. Spin has listed it several times, ranking it #74 in a 1995 list of the best alternative albums and #20 in a 2001 list of "The 50 Most Essential Punk Records", and including it in a 2004 list of "Essential Hardcore" albums.[8][9][10] In these lists, critic Simon Reynolds described the album as "Fifteen Cali-coreparoxysms that anatomize dork-dude pangs with haiku brevity", while Andrew Beaujon called it "Super clean, super tight, super poppy hardcore about hating your parents, riding bikes, and not wanting to 'smell your muff.' Obviously, Blink-182 owe this bunch of proud California losers everything."[9][10] In 2006 Kerrang! ranked it as the 33rd greatest punk album of all time.[11]
Track listing
Side A | |||||||||
---|---|---|---|---|---|---|---|---|---|
No. | Title | Writer(s) | Length | ||||||
1. | "Myage" | Bill Stevenson | 2:00 | ||||||
2. | "I Wanna Be a Bear" | Tony Lombardo, Frank Navetta | 0:40 | ||||||
3. | "I'm Not a Loser" | Navetta | 1:28 | ||||||
4. | "Parents" | Navetta | 1:37 | ||||||
5. | "Tonyage" | Lombardo, Stevenson | 0:55 | ||||||
6. | "M-16" | Lombardo, Milo Aukerman | 0:40 | ||||||
7. | "I'm Not a Punk" | Lombardo | 1:01 | ||||||
8. | "Catalina" | Lombardo, Stevenson | 1:44 |
Side B | |||||||||
---|---|---|---|---|---|---|---|---|---|
No. | Title | Writer(s) | Length | ||||||
1. | "Suburban Home" | Lombardo | 1:40 | ||||||
2. | "Statue of Liberty" | Navetta | 1:58 | ||||||
3. | "Kabuki Girl" | Lombardo | 1:09 | ||||||
4. | "Marriage" | Navetta, Stevenson | 1:37 | ||||||
5. | "Hope" | Aukerman | 1:58 | ||||||
6. | "Bikeage" | Stevenson | 2:12 | ||||||
7. | "Jean Is Dead" | Stevenson | 1:31 | ||||||
Total length: | 22:10 |
27.8.10
she took the oldsmobile out past condor avenue
and she locked the car and slipped past
into rhythmic quietude
lights burning
voice dry and hoarse
i threw the screen door like a bastard back and forth
the chimes fell over each other
i fell onto my knees
the sound of the car driving off made me feel diseased
now i'm picking up to put away anything of your's that's still around
i don't know what to do with your clothes or your letters
it'll make a whisper out of you
the fairground's lit
a drunk man sits by the gate she's driving through
got his hat tipped bottle back in between his teeth
looks like he's buried in the sand at the beach
i can't think about you driving off to leave barely awake
to take a little nap while the road is straight
i wish that car had never been discovered
they took away the bottle and the hat he was under
that's the one thing that he could never do
and it'll make a whisper out of you
cops were running around the scene
looking for some kind of clue
they never get uptight when a moth gets crushed
unless a light bulb really loved him very much
i'm lying down
blowing smoke from my cigarette
little whisper smoke signs that you'll never get
headlights burning bright ahead of you
and someone's burning out, out on condor avenue
trying to make a whisper out of you
did you really mean it?
you never said a word to me about what passed between us
so now i'm leaving you alone
you can do whatever the hell you want to
21.8.10
local people
TV Episodes:
101 Welcome To Royston Vasey
102 The Road To Royston Vasey
103 Nightmare in Royston Vasey
104 The Beast of Royston Vasey
105 Love Comes To Royston Vasey
106 Escape From Royston Vasey
201 Destination: Royston Vasey
202 Lust for Royston Vasey
203 A Plague on Royston Vasey
204 Death in Royston Vasey
205 Anarchy in Royston Vasey
206 Royston Vasey and the Monster from Hell
301 The Lesbian and the Monkey
302 The One-Armed Man Is King
303 Turn Again Geoff Tipps
304 The Medusa Touch
305 Beauty and the Beast (Or, Come into My Parlour)
306 How The Elephant Got Its Trunk
Specials:
The League of Gentlemen Christmas Special
The League of Gentlemen Live at Drury Lane
Movie:
The League of Gentlemen's Apocalypse
20.8.10
1.8.10
too much too much too much too much too much
ozone layer
Chk_Chk_Chk-Strange_Weather_Isnt_It-2010-CaHeSo
Depois de no ano passado terem perdido o seu baterista para o fundo do poço de um elevador os ! ! ! voltam com um novo album e duas datas em Portugal no próximo mês de Novembro.
Strange Weather, Isn't It? is the upcoming fourth album by dance punk group !!!, to be released on August 24, 2010 on Warp Records. The album's first single, "AM/FM", was made available as a free download from the band's website and was released on limited edition clear vinyl on July 13, 2010.
Track listing
- "AM/FM"
- "The Most Certain Sure"
- "Wannagain Wannagain"
- "Jamie, My Intentions Are Bass"
- "Steady As The Sidewalk Cracks"
- "Hollow"
- "Jump Back"
- "Even Judas Gave Jesus A Kiss"
- "The Hammer"
- "Made Of Money"